| This baptism hymn
is poignant without being sentimental. The four verses evoke
the God of the macrocosm and the God of the smallest detail.
The refrain extends the practice of ritual bathing, common
to a number of different religious traditions, to the metaphor
of God bathing the world with love.
I wrote this
hymn to meet a need in my parish church, S. Michael and
All Angels, Christchurch, N.Z. The parish also has a primary
school, the oldest in the city. At services of baptism,
whether for the church or school community, I noticed we
never sang hymns about baptism. Instead, the organist usually
played an interlude as people gathered at the font or returned
to their seats. Our vicar, the Venerable Peter Williams,
said he found most baptism hymns either too didactic or
sentimental, so he preferred to use simple resurrection
hymns. I felt this short-changed the congregation, particularly
at school masses. In my view the rite of baptism could mean
so much more if the people had the opportunity to sing a
simple baptism hymn immediately beforehand. This was even
more important in a high church tradition, which placed
greater emphasis on sacraments and on the ritual dimension
of religion.
The music, gently
evocative and poignant, is by Jane Simpson and Peter Low.
It works both as a unison piece and in SATB parts. Here,
the women sing the verses and the men hum. The refrain,
where God bathes the world with love, is sung together in
parts. The time signature changes from 4/4 time to the more
dance-like 3/4 time. There is a strong plagal cadence at
the end.
The opening prayer,
Creator of the universe, hover over us (vs.1)
is drawn from a baptism prayer in one of the oldest surviving
Christian traditions, the Coptic Church:
Creator
of the waters, Maker of the universe,
we call upon Thy holy and eternal power
The priest breathes
upon the water in the font in the form of the cross, saying:
Sanctify this water and this oil that they may become
a laver of the new birth, Amen. *
The feast in
verse 3 is both the communion, which in the early church
was received by the newly baptised at the next opportunity,
and is also a metaphor for the coming of Gods kingdom
through Christ. The declaration that We sit as royal
people, as prophets, priests and kings echoes the
affirmation in I Peter 2.9, that Christians are baptised
to priesthood. Baptism is therefore a sacrament of realised
eschatology, a pledge here and now of Gods blessings
to be laid hold of. This verse ends with insights of 20thC
liberation theology about Gods freedom to all the
oppressed.
The last verse
draws on one of the earliest passages in the NT, written
about 20 years after Jesus death, that in Christ all
divisions of nationality, race, age, sex, or social or civil
status, are broken down (Gal 3.28). It affirms the new creation
brought about by living in Christ (II Cor 5.17).
This hymn is
suitable for services where either infants or adults are
baptised.
©
Jane Simpson (2002)
* Archbishop
Basilios, ‘Baptism, Liturgy of’, in The Coptic encyclopedia,
vol.2, Macmillan, 1991, p.341.
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